Hindūsthāni Pravēsha

(Junior in Hindusthani Style of Music)

Syllabus

Textbook

Exam Registration

Syllabus

General Instructions

    • The syllabus outlined below represents the minimum requirements for Pravesha (Junior) Certification.
    • The Pravesha curriculum is organized into four progressive levels and is designed so that an average student may complete it over approximately four years. The four levels represent a typical progression of learning and do not require students to appear for an examination every year or to complete the examinations sequentially.
    • The curriculum is cumulative. Compositions, skills, and competencies introduced at earlier levels remain part of the expected repertoire and proficiency at subsequent levels.
    • Compositions prepared at earlier levels may be carried forward and presented at subsequent-level examinations, where appropriate.
    • Students may appear directly at any level based on their preparedness. Completion of the preceding level examinations is not mandatory.
    • Level 4 is mandatory for Pravesha Certification. Regardless of the level at which a student begins, Level 4 must be successfully completed to receive the Pravesha Certificate.
    • A student appearing directly for Level 4 must demonstrate the cumulative repertoire, skills, and competencies required across Levels 1, 2, 3, and 4. Students may skip the preceding examinations, but not the curriculum requirements of those levels.
    • The Level 4 certification examination is conducted in person at designated examination centers in the United States.
    • The syllabus is common to Hindusthani Vocal and Hindusthani instrumental music, including instruments such as Violin, Sitar, Sarod, Vamshi (Bansuri), and Sarangi.
    • For instrumental examinations, vocal forms prescribed in the syllabus shall be presented through their appropriate instrumental equivalents, while preserving the corresponding rāg structure, musical form and level of development, improvisational requirements, laya, and tāl.
    • Sangeeta Bharati’s curriculum is Guru- and Sampradāya-agnostic and respects diverse pedagogical traditions within Hindusthani Sangeeta. Students are therefore not restricted to a prescribed list of compositions.
    • Students are free to refer to appropriate learning materials and select compositions of their choice. The overall repertoire should demonstrate a well-balanced selection of rāgs representing different thāṭs, tāls, bhāśhās (languages), composers, and compositional forms, appropriate to the requirements of the respective level.
    • Bhajans: Sample Bhajans may be selected from the Rana Sangeetam book.
    • Students who are not exclusively following the prescribed Sangeeta Bharati texts must submit a detailed list of the compositions prepared for the examination. For each composition, the list should include:

      Composition Title, Rāg, Tāl, Composer, and Bhāśhā (Language).

      The repertoire list must be submitted to the examiner at least one week before the examination as a PDF by email to exams@sangeetabharati.org.

      Students following the prescribed Sangeeta Bharati texts are not required to submit a repertoire list.

    • Detailed curriculum content and instructional material are available in the respective Sangeeta Bharati textbooks.

Pravesha
Prathama

(Level 1)

Optional and Virtual

Paper 1: Practical (Kriyatmak)

  1. Alankar: Any 10
  2. Raag: For each of the following Raags—Bilawal, Khamaz, Yaman, and Bhoopali—provide:
    1. An introduction, including the Thaat, Swarmaalika (Aroh/Avaroh), and Pakad.
    2. One Bandish.
  3. Taal: Demonstrate the following Taals with their Maatras, Vibhaagas, Taali, and Khaali:
    1. Teen Taal
    2. Daadra
  4. Sugama Sangeeta: Any 2 compositions from the following (in original lyrics):
    1. Bal Bhajan
    2. Keertan
    3. Geet
    4. Folk Song
    5. Patriotic Song

Paper 2: Oral

Simple Definitions of:

  1. Sangeeta
  2. Swar
  3. Laya
  4. Taal
  5. Taali-Khaali
  6. Chal Swar and Achal Swar
  7. Shuddh Swar and Vikrit Swar
  8. Maatra
  9. Sam
  10. Avartan

Students should also be able to answer simple oral questions based on the prescribed practical syllabus.

Pravesha
Dwiteeya

(Level 2)

Optional and Virtual

Paper 1: Practical (Kriyatmak)

  1. Alankar: Any 15 in Ekgun and Dugun
  2. Raaga: For each of the following Raags—Alhaiya Bilawal, Khamaz, Yaman, Bhoopali, Kafi, Bhairav, and Behag—provide:
    1. An introduction, including the Thaat, Raag Jaati, Swarmaalika (Aroh/Avaroh), and Pakad.
    2. Chota Khayal with 5 easy Taans in any 1 Raag.
    3. Any 1 Lakshan Geet from one of the above Raags.
  3. Taal: Demonstrate the following Taals with their Maatras, Vibhaagas, Taali, and Khaali in Ekgun and Dugun:
    1. Teen Taal
    2. Daadra
    3. Kaharawa
    4. Chautaal
  4. Sugama Sangeeta: (in original lyrics)
    1. Any 3 Bhajans/Keertans
    2. Any 1 Folk Song or a Patriotic Song

Paper 2: Oral

Simple Definitions of:

  1. Sangeeta
  2. Swar
  3. Laya
  4. Taal
  5. Taali–Khaali
  6. Chal Swar and Achal Swar
  7. Shuddh Swar and Vikrit Swar
  8. Maatra
  9. Sam
  10. Avartan
  11. Sangeet Paddati
  12. Dhwani
  13. Naad
  14. Shruti
  15. Thaat
  16. Aroh, Avaroh, and Pakad
  17. Saptak
  18. Alankar
  19. Raag
  20. Raag Jaati
  21. Khayal
  22. Sthayi, Antara, Sanchari, and Aabhog

Students should also be able to answer simple oral questions based on the prescribed practical syllabus.

Paper 3: Theory

Common Theory

Kala Shastra Pravesha— Part 1

Mode: Oral

Pravesha
Truteeya

(Level 3)

Optional and Virtual

Paper 1: Practical (Kriyatmak)

  1. Alankar: Any 10 in Ekgun, Dugun, and Chaugun, along with 10 Paltas.
  2. Raag: The prescribed Raags are: Alhaiya Bilawal, Khamaz, Yaman, Bhoopali, Kafi, Bhairav, Behag, Bageshri, Durga, Brundavani Sarang, Bheempalasi, Desh, Kedar, and Aasavaari:
    1. One Bada Khayal in any 1 of the following Raags: Yaman, Behag, or Bhairav.
    2. For any 5 Raags from the above list, provide an introduction including Thaat, Raag Jaati, Vadi, Samvadi, Swarmaalika (Aroh/Avaroh), and Pakad; one Bandish; 3 Alaps in Sthayi; and 5 Taans.
    3. For any 3 Raags from Kafi Thaat (e.g., Brundavani Sarang, Bheempalasi, Bageshri, and Kafi), provide an introduction with Vadi, Samvadi, Swarmaalika (Aroh/Avaroh), and Pakad; one Bandish; and 3 Taans.
    4. Any 1 Tarana from the above list of Raags.
  3. Taal: Demonstrate the following Taals with their Maatras, Vibhaagas, Taali, and Khaali in Ekgun and Dugun:
    1. Teen Taal
    2. Daadra
    3. Kaharawa
    4. Roopak
    5. Chautaal
    6. Ektaal
  4. Sugama Sangeeta: (in original lyrics)
    1. Any 1 Raag-based Geet.
    2. Any 1 Folk Song or Patriotic Song

Paper 2: Oral

Simple Definitions of:

  1. Sangeeta
  2. Swar
  3. Laya
  4. Taal
  5. Taali–Khaali
  6. Chal and Achal Swar
  7. Shuddh Swar and Vikrit Swar
  8. Maatra
  9. Sam 
  10. Avartan
  11. Sangeeta Paddati
  12. Dhwani and its origin
  13. Naad
  14. Shruti
  15. Thaat
  16. Aroh, Avaroh, and Pakad
  17. Saptak
  18. Alankar
  19. Raag
  20. Raag Jaati
  21. Khayal
  22. Sthayi, Antara, Sanchari, and Aabhog
  23. Kampan
  24. Aandolan and types of Aandolan
  25. Janak Thaat
  26. Aashray Raag
  27. Janya Raag
  28. Dhrupad
  29. Lakshan Geet
  30. Vadi, Samvadi, Anuvadi, Vivadi, Ansh, Nyaas, and Vakr Swar
  31. Poorvang-Uttarang
  32. Laya and its types
  33. Brief introduction to any 2 recognized Hindusthani vocalists, in approximately 5 sentences each.

Students should also be able to answer simple oral questions based on the prescribed practical syllabus.

Paper 3: Theory

Common Theory

Kala Shastra Pravesha—Parts 1 & 2

Mode: Written

Pravesha
Chaturtha

(Level 4)

Mandatory and in-person

Paper 1: Practical (Kriyatmak)

  1. Alankar (any 2 in Ekgun, Dugun, Chaugun, and Trigun)
  2. Raga (Should select unique ragas for each section)
    1. Any 1 raga with a detailed introduction, beginning Alap, bandish, 3 alap in sthayi, 5 taans in sthayi, 2 taans in antara
    2. Any other 1 raga with introduction, bandish, and 5 taans
    3. Any other raga with an introduction and bandish only
    4. Any 1 of Tarana, Dhamar, or Dhrupad
    5. Lakshan Geet (any 1 in any raga)
  3. Taal: Below taals with introduction with taali-khaali (in Ekgun, Dugun, and Chaugun)
    1. Teen taal
    2. Daadra
    3. Kaharawa
    4. Chautaal
    5. Roopak
    6. Ek taal
  4. Sugama Sangeeta
    1. Any 1 Dadra Geet 
    2. Any 1 raga-based Geet
    3. Any 1 folk song, or a patriotic song

Paper 2: Shravana Jnana

  1. Ability to recognize a raga (from the theory portion) when rendered on an instrument or sung by the examiner
  2. Ability to recognize a raga (from the theory portion) from notation
  3. Ability to recognize a particular swara when rendered on an instrument or sung by the examiner
  4. Notations writing in both styles – Bhatkhande and Paluskar
  5. Drawing the picture of the Harmonium or Tanpura, naming its parts

Paper 3: Theory

Common Theory

 Kala Shastra Pravesha—Parts 1&2

and

Hindusthani Pravesha

(Hindusthani Music Theory)

Mode: Written