Hindūsthāni Pravēsha
(Junior in Hindusthani Style of Music)
Syllabus
General Instructions
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- The syllabus outlined below represents the minimum requirements for Pravesha (Junior) Certification.
- The Pravesha curriculum is organized into four progressive levels and is designed so that an average student may complete it over approximately four years. The four levels represent a typical progression of learning and do not require students to appear for an examination every year or to complete the examinations sequentially.
- The curriculum is cumulative. Compositions, skills, and competencies introduced at earlier levels remain part of the expected repertoire and proficiency at subsequent levels.
- Compositions prepared at earlier levels may be carried forward and presented at subsequent-level examinations, where appropriate.
- Students may appear directly at any level based on their preparedness. Completion of the preceding level examinations is not mandatory.
- Level 4 is mandatory for Pravesha Certification. Regardless of the level at which a student begins, Level 4 must be successfully completed to receive the Pravesha Certificate.
- A student appearing directly for Level 4 must demonstrate the cumulative repertoire, skills, and competencies required across Levels 1, 2, 3, and 4. Students may skip the preceding examinations, but not the curriculum requirements of those levels.
- The Level 4 certification examination is conducted in person at designated examination centers in the United States.
- The syllabus is common to Hindusthani Vocal and Hindusthani instrumental music, including instruments such as Violin, Sitar, Sarod, Vamshi (Bansuri), and Sarangi.
- For instrumental examinations, vocal forms prescribed in the syllabus shall be presented through their appropriate instrumental equivalents, while preserving the corresponding rāg structure, musical form and level of development, improvisational requirements, laya, and tāl.
- Sangeeta Bharati’s curriculum is Guru- and Sampradāya-agnostic and respects diverse pedagogical traditions within Hindusthani Sangeeta. Students are therefore not restricted to a prescribed list of compositions.
- Students are free to refer to appropriate learning materials and select compositions of their choice. The overall repertoire should demonstrate a well-balanced selection of rāgs representing different thāṭs, tāls, bhāśhās (languages), composers, and compositional forms, appropriate to the requirements of the respective level.
- Bhajans: Sample Bhajans may be selected from the Rana Sangeetam book.
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Students who are not exclusively following the prescribed Sangeeta Bharati texts must submit a detailed list of the compositions prepared for the examination. For each composition, the list should include:
Composition Title, Rāg, Tāl, Composer, and Bhāśhā (Language).
The repertoire list must be submitted to the examiner at least one week before the examination as a PDF by email to exams@sangeetabharati.org.
Students following the prescribed Sangeeta Bharati texts are not required to submit a repertoire list.
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Detailed curriculum content and instructional material are available in the respective Sangeeta Bharati textbooks.
Pravesha
Prathama
(Level 1)
Optional and Virtual
Paper 1: Practical (Kriyatmak)
- Alankar: Any 10
- Raag: For each of the following Raags—Bilawal, Khamaz, Yaman, and Bhoopali—provide:
- An introduction, including the Thaat, Swarmaalika (Aroh/Avaroh), and Pakad.
- One Bandish.
- Taal: Demonstrate the following Taals with their Maatras, Vibhaagas, Taali, and Khaali:
- Teen Taal
- Daadra
- Sugama Sangeeta: Any 2 compositions from the following (in original lyrics):
- Bal Bhajan
- Keertan
- Geet
- Folk Song
- Patriotic Song
Paper 2: Oral
Simple Definitions of:
- Sangeeta
- Swar
- Laya
- Taal
- Taali-Khaali
- Chal Swar and Achal Swar
- Shuddh Swar and Vikrit Swar
- Maatra
- Sam
- Avartan
Students should also be able to answer simple oral questions based on the prescribed practical syllabus.
Pravesha
Dwiteeya
(Level 2)
Optional and Virtual
Paper 1: Practical (Kriyatmak)
- Alankar: Any 15 in Ekgun and Dugun
- Raaga: For each of the following Raags—Alhaiya Bilawal, Khamaz, Yaman, Bhoopali, Kafi, Bhairav, and Behag—provide:
- An introduction, including the Thaat, Raag Jaati, Swarmaalika (Aroh/Avaroh), and Pakad.
- Chota Khayal with 5 easy Taans in any 1 Raag.
- Any 1 Lakshan Geet from one of the above Raags.
- Taal: Demonstrate the following Taals with their Maatras, Vibhaagas, Taali, and Khaali in Ekgun and Dugun:
- Teen Taal
- Daadra
- Kaharawa
- Chautaal
- Sugama Sangeeta: (in original lyrics)
- Any 3 Bhajans/Keertans
- Any 1 Folk Song or a Patriotic Song
Paper 2: Oral
Simple Definitions of:
- Sangeeta
- Swar
- Laya
- Taal
- Taali–Khaali
- Chal Swar and Achal Swar
- Shuddh Swar and Vikrit Swar
- Maatra
- Sam
- Avartan
- Sangeet Paddati
- Dhwani
- Naad
- Shruti
- Thaat
- Aroh, Avaroh, and Pakad
- Saptak
- Alankar
- Raag
- Raag Jaati
- Khayal
- Sthayi, Antara, Sanchari, and Aabhog
Students should also be able to answer simple oral questions based on the prescribed practical syllabus.
Paper 3: Theory
Pravesha
Truteeya
(Level 3)
Optional and Virtual
Paper 1: Practical (Kriyatmak)
- Alankar: Any 10 in Ekgun, Dugun, and Chaugun, along with 10 Paltas.
- Raag: The prescribed Raags are: Alhaiya Bilawal, Khamaz, Yaman, Bhoopali, Kafi, Bhairav, Behag, Bageshri, Durga, Brundavani Sarang, Bheempalasi, Desh, Kedar, and Aasavaari:
- One Bada Khayal in any 1 of the following Raags: Yaman, Behag, or Bhairav.
- For any 5 Raags from the above list, provide an introduction including Thaat, Raag Jaati, Vadi, Samvadi, Swarmaalika (Aroh/Avaroh), and Pakad; one Bandish; 3 Alaps in Sthayi; and 5 Taans.
- For any 3 Raags from Kafi Thaat (e.g., Brundavani Sarang, Bheempalasi, Bageshri, and Kafi), provide an introduction with Vadi, Samvadi, Swarmaalika (Aroh/Avaroh), and Pakad; one Bandish; and 3 Taans.
- Any 1 Tarana from the above list of Raags.
- Taal: Demonstrate the following Taals with their Maatras, Vibhaagas, Taali, and Khaali in Ekgun and Dugun:
- Teen Taal
- Daadra
- Kaharawa
- Roopak
- Chautaal
- Ektaal
- Sugama Sangeeta: (in original lyrics)
- Any 1 Raag-based Geet.
- Any 1 Folk Song or Patriotic Song
Paper 2: Oral
Simple Definitions of:
- Sangeeta
- Swar
- Laya
- Taal
- Taali–Khaali
- Chal and Achal Swar
- Shuddh Swar and Vikrit Swar
- Maatra
- Sam
- Avartan
- Sangeeta Paddati
- Dhwani and its origin
- Naad
- Shruti
- Thaat
- Aroh, Avaroh, and Pakad
- Saptak
- Alankar
- Raag
- Raag Jaati
- Khayal
- Sthayi, Antara, Sanchari, and Aabhog
- Kampan
- Aandolan and types of Aandolan
- Janak Thaat
- Aashray Raag
- Janya Raag
- Dhrupad
- Lakshan Geet
- Vadi, Samvadi, Anuvadi, Vivadi, Ansh, Nyaas, and Vakr Swar
- Poorvang-Uttarang
- Laya and its types
- Brief introduction to any 2 recognized Hindusthani vocalists, in approximately 5 sentences each.
Students should also be able to answer simple oral questions based on the prescribed practical syllabus.
Paper 3: Theory
Pravesha
Chaturtha
(Level 4)
Mandatory and in-person
Paper 1: Practical (Kriyatmak)
- Alankar (any 2 in Ekgun, Dugun, Chaugun, and Trigun)
- Raga (Should select unique ragas for each section)
- Any 1 raga with a detailed introduction, beginning Alap, bandish, 3 alap in sthayi, 5 taans in sthayi, 2 taans in antara
- Any other 1 raga with introduction, bandish, and 5 taans
- Any other raga with an introduction and bandish only
- Any 1 of Tarana, Dhamar, or Dhrupad
- Lakshan Geet (any 1 in any raga)
- Taal: Below taals with introduction with taali-khaali (in Ekgun, Dugun, and Chaugun)
- Teen taal
- Daadra
- Kaharawa
- Chautaal
- Roopak
- Ek taal
- Sugama Sangeeta
- Any 1 Dadra Geet
- Any 1 raga-based Geet
- Any 1 folk song, or a patriotic song
Paper 2: Shravana Jnana
- Ability to recognize a raga (from the theory portion) when rendered on an instrument or sung by the examiner
- Ability to recognize a raga (from the theory portion) from notation
- Ability to recognize a particular swara when rendered on an instrument or sung by the examiner
- Notations writing in both styles – Bhatkhande and Paluskar
- Drawing the picture of the Harmonium or Tanpura, naming its parts
Paper 3: Theory
Common Theory
Kala Shastra Pravesha—Parts 1&2
and
Hindusthani Pravesha
(Hindusthani Music Theory)