Bharatanatya Pravesha

(Junior in Bharatanatya)

Bharatanatya Textbook

Syllabus

Exam Registration

Syllabus

General Instructions

    • The syllabus outlined below represents the minimum requirements for Junior Certification.
    • The curriculum is cumulative. Compositions, skills, and competencies introduced at earlier levels remain part of the expected repertoire and proficiency at subsequent levels.
    • Lessons and compositions from previous levels may be included in subsequent levels.
    • Students may appear for an examination at any level based on their preparedness.
    • Level 4 is mandatory for Junior Certification and must be successfully completed to receive the certification.
    • The Level 4 certification examination must be taken in person.
    • Students are free to refer to appropriate learning materials and select compositions of their choice, subject to the requirements of the syllabus.
    • Bhajans should be dedicated to the Gods and Goddesses worshipped in Sanatana Dharma. Students may refer to the Rana Sangeetam book for sample Bhajans.
    • As Sangeeta Bharati’s syllabus is Guru- and Sampradaya-agnostic, students may learn and present compositions according to the tradition and teaching methodology of their Guru. Students must provide the examiner with a detailed list of the compositions they have prepared for the examination, including Raga, Tala, Composer, and Language, at least one week before the examination. The list must be submitted as a PDF to exams@sangeetabharati.org. This requirement does not apply to students following Sangeeta Bharati textbooks.
    • The detailed syllabus can be found in the Bharatanatya Pravesha textbook.

Pravesha
Prathama

(Level 1)

Optional and Virtual

Paper 1: Practical
  1. Namaskara Kriya
  2. Vyayama Kriya (any 3 types)
  3. Adavus with Sollukattu (in 3 speeds)
    1. Tattadavu – any 7 types
    2. Mettadavu – any 2 types
    3. Nattadavu – any 4 types
    4. Pakkadavu (Paraval or Mardita Adavu) – any 2 types

Paper 2: Oral Exam

Bharatanatya Maukhika Pareeksha

Theory: NO

Pravesha
Dwiteeya

(Level 2)

Optional and Virtual

Paper 1: Practical
  1. Namaskara Kriya
  2. Vyayama Kriya (any 6 types)
  3. Adavu with Sollukattu (in 3 speeds)
    1. Tattadavu  any 7 types
    2. Mettadavu – any 3 types
    3. Nattadavu – any 7 types
    4. Pakkadavu (Paraval or Mardita Adavu) – any 3 types
    5. Kuditta Tattadavu (Ettadavu or Egaru Tattu)
    6. Kuditta Adavu (Kuditta Mettu or Egaru Mettu)
    7. Tattu Mettu Adavu (Jati Adavus or Panchanade Adavu)
      1. Trishra
      2. Chaturashra
      3. Khanda
      4. Mishra
      5. Sankeerna
    8. Jaradavu (Sarukkal Adavu) – any 1 type
    9. Teermana Adavu – any 1 type
  4. Jati
    1. Adi Tala
  5. Shloka (any 1)

Paper 2: Oral Exam

Bharatanatya Maukhika Pareeksha

Paper 3: Theory

Common theory part 1 from the book Kala Shastra Pravesha

Mode: Maukhika (Oral)

Pravesha
Truteeya

(Level 3)

Optional and Virtual

Paper 1: Practical
  1. Namaskara Kriya
  2. Vyayama Kriya (any 7 types)
  3. Basic Postures
  4. Adavu with Sollukattu (in 3 speeds)
    1. Dashavidha Adavu
    2. Itara (Other) Adavu
  5. Jati
    1. Adi Tala
    2. Roopaka Tala
  6. Shloka (any 3)
  7. Nrutya Bandha
    1. Trishra Alaripu
    2. Kautwam
  8. Devotional Dance
    1. Bhajan (any 1 and can be folk-style)

Paper 2: Oral Exam

Bharatanatya Maukhika Pareeksha

Paper 3: Theory

Common theory parts 1 and 2 from the book Kala Shastra Pravesha

Mode: Written

Pravesha
Chaturtha

(Level 4)

Mandatory and in-person

Paper 1: Practical
  1. Namaskara Kriya
  2. Vyayama Kriya (any 8 types)
  3. Basic Postures
  4. Adavu with Sollukattu (in 3 speeds)
    1. Dashavidha Adavu
    2. Itara (Other) Adavu
  5. Jati
    1. Adi Tala
    2. Roopaka Tala
  6. Shloka (any 5)
  7. Nrutya Bandha
    1. Trishra and Chaturashra Alaripu
    2. Kautwam
    3. Pushpanjali
    4. Jatiswara
    5. Any Karnataka Sangeeta Composition
  8. Devotional Dance
    1. Bhajan (any 1 and can be folk-style)

Paper 2: Oral Exam

Bharatanatya Maukhika Pareeksha

Paper 3: Written

Common theory parts 1 and 2 from the book Kala Shastra Pravesha, and Dance theory from the book Bharatanatya Pravesha

Mode: Written